After the vaguely haunted house-esque shenanigans of Fallen Kingdom and the inexplicable focus on crop-eating superlocusts in Dominion, it appears the powers behind the Jurassic…
Despite having only arrived five years ago, 2020 feels in a lot of ways as if it were a century from another era, wherein a…
When David Lynch tragically passed away earlier this year, he left behind an unassailable body of work, which has been often imitated yet seldom replicated.…
Given the real-life horrors of a global pandemic and an increasingly hostile socio-political climate, it’s no wonder that post-apocalyptic fiction is as en vogue as…
Eva Victor wants you to know that the cat is okay. “I feel like we should have put out a PSA!” they tell me at…
Why is it that in the nation of Spain, a nation whose siestas evince a clear cultural supremacy over their efficiency-imprisoned neighbors, regularly invites very…
M3GAN wasn’t born — or built, or whatever — to play it safe. Gerard Johnstone’s 2022 tech-toy horror is, charitably, a good time, the sort…
For a film set on the Iberian Peninsula, it’s no surprise that the title Hot Milk raises some questions. Adapted from Deborah Levy’s novel of…
As a Latinx intersex sex worker, Ponyboi (River Gallo) is well-versed in the indignity of precarity: a simple exchange with a pharmacist, for instance, involves…
Dale Dickey is a beloved veteran character actor, having enjoyed a career that spans over 30 years of consistent, quality work. Typically inhabiting the souls…
Filmmakers Will Howarth and Tom McKeith are walking a fine line with their new feature film In Vitro, a low-key dramatic thriller that incorporates horror-tinged…
Until semi-recently, Formula 1 racing was only immensely popular pretty much all over the world except in the United States, but a combination of the…
Mani Ratnam is considered one of India’s finest directors, particularly among those working in the Tamil language, and is coming off a two-part critical and…
Decades in the making but arguably being released five years prematurely, 28 Years Later, Danny Boyle’s follow-up to 2002’s seminal, lo-fi zombie film 28 Days Later…
Pierre Creton and Vincent Barré have amassed a remarkable body of work, and “body” is certainly an apt descriptor. Their intimate and playful films are…
Local, low-budget theatre demands enthusiastic commitment from its participants that almost always exceeds the profits and artistic achievements they can expect at the end of…
Killing Mary Sue defines the term “Mary Sue” thusly: “A character, usually a young woman, who is often portrayed as inexplicably competent across all domains…
With The Dells, director Nellie Kluz delivers a work of nonfiction that exists in some strange space between shifts at the “Shore Store” from Jersey…
Anyone who has spent time with someone suffering from dementia has seen a loved one lie to them. These are not lies of malice; they…