Can You Bring It is a sumptuous, intelligent work about the beauty and infinity of the creative process. Following the evolution of the titular groundbreaking…
Broken Diamonds at least steers clear of the offensive depictions that sink so many schizophrenia flicks, but it doesn’t rise much above this low bar.…
Rock, Paper and Scissors starts off beguilingly odd, but fails to ever realize its genre potency and soon falls into wheel-spinning. There’s something very wrong…
The Man with the Answers aims for restraint but instead fails to either properly probe or articulate its characters. A well-meaning and tentative entrant into…
Long Story Short is occasionally pretty to look at but otherwise gruelingly repetitive and dull. From the guy that played Kano in this year’s Mortal…
Unlike its subjects, Rebel Hearts is too conventional and not daring enough. Uplifting and unashamedly radical, Rebel Hearts, the sophomore effort from Pedro Kos, traces…
Despite clearly belonging to a lineage of oddball, lo-fi comedy, A Dim Valley still marks itself as a unique contribution. Shot through a gauzy haze,…
The hare-brained Queen of Spades rides a wave of stale familiarity to miserable results. For viewers whose formative years have nourished the clickbait addiction of…
Sublet is yet another delicate, moving slice of cinema from one of the world’s preeminent queer chroniclers. Israeli filmmaker Eytan Fox has made a career…
The Evil Next Door forgoes character development and clever plotting in an effort to manufacture cheap scares. Is there anything more boring than a competent,…
Given its material, When Worlds Collide should be a far more impressive visual document. Among the marquee names of the 1980s New York art scene,…
Stalker is a wonderful calling card for Savage, a director who understands both form and function of genre cinema. The new horror-thriller Stalker has much…
Edge of the World is a weak film that further dooms itself by so liberally cribbing from better works. The name and fame of Sir…
Hero Mode is almost charming in its throwback vibe, but its rhetoric is far less appealing. There’s a disappearing niche that films like Hero Mode…
RK/RKAY plays like something of a witty, warm riff on the absurdist stylings of early Charlie Kaufman, and pulls it off. Anybody who has tackled a…
Given its gimmicky genesis, Dementia Part II surprises as a bit of legitimate, over-the-top fun. At only 66 minutes — and that includes the opening credits…
When Hitler Stole Pink Rabbit has plenty of heart and restraint, but viewers will likely wish for a bit more ambition. Based on the semi-autobiographical children’s…
Endangered Species is a lean, mostly successful little thriller that proves director Bassett’s legitimate genre chops. It’s difficult to remember now, but the last decades of…
Benny Loves You is nothing if not a passion project, but one likely to be loved only by its creator. Murderous toys are nothing new to…