Aaron Katz’s glossy, very surface-conscious mystery opens in high style with an upside-down shot of twilit palm trees, cool vaporwave beats easing the transition to…
Eliza Hittman’s first feature, It Felt Like Love, was a promising, if familiar Brooklyn-set tale of a teenage girl’s burgeoning sexuality. With, Beach Rats, Hittman…
In her promising first feature, A Girl Walks Home Alone at Night, Iranian director Ana Lily Amirpour forewent the feminist messaging her film’s title might…
Give Nacho Vigalondo’s latest points for being consistently unpredictable: it’s a monster movie, in a sense, but the monsters turn out to be analogous for its…